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Allerboomste Boom

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Adansonia digitata, Baobab, Kremetart boom, Oil on canvas, 1000 x 1500mm

Kremetartboom

die kemetartboom is ’n boom

hy laat nie sommer mense in hom klim nie

hy laat jou in hom óp kyk hy laat jou om hom loop

die olifante het hom bygekom sy bas gestroop

dit laat hom ongeroer

die kremetartboom is ’n boom

die ape mag maar in hom klouter

baljaar en hom beskyt dit laat hom ongeroer

hy laat die slang en vlermuis in hom boer

die leeus mag aan sy basis pis

hy bly maar wat hy is

die kremetartboom is ’n boom

diep in sy ou-ou sagte bruin ou bas

het harteloses hulle éie harte uitgesny

dit laat hom ongeroer sy holtes is deur bye

vol van hulle blommesoet gemaak

die spinnekoppe span hul sterrerak en radar daar

die kremetartboom is ’n allerboomste boom

hy is meer kaal meer stam as tak en blaar min vrug

meer aarde toe terug en ín as in die lug

mens sien hom as hy oud is raker raak

vol rimpels sag vol vog en sap

geen ander boom lyk naasteby

so enig bomelik soos hy

alleen die Groot Voet kan hom trap

sy swaar liggaam totaal toemaak

die kremetartboom is my boom

 

T.T. Cloete

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Baobab Hill

baobabhill

Adansonia digitata, Baobab, Kremetart boom, Oil on Canvas, 380 x 760mm

 

‘k Sien die berge dynsig blou –

Blou-pers rotsewande;

‘k Sien die kremetartboom hou –

Hou nog steeds die hande

Seën-uitsprekend oor die woud

As die dag in louter goud

Breek oor bosse en rande.

 

Fragment uit: Die lokstem van die Bosveld – Aan my vriend Pierneef

A.G. Visser

 

Quiver trees at Augrabies

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Aloidendron dichotomum, Quiver tree, Kokerboom, Oil on canvas, 700 x 1400mm

ek kyk na jou rotse

so kokerboom mooi

wat rustend verlate

Namakwa wil tooi

 

Fragment uit  gedig deur Henry Badenhorst

 

Radio onderhoud oor my uitstalling: “en al die bome van die veld sal in die hande klap”

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Kliek op die skakel hieronder om na die onderhoud te luister.

https://chirb.it/wp/Lm2g44

Check this out on Chirbit

Reus in die Aandson

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Adansonia digitata , Baobab, Kremetart boom, Oil on canvas, 1000 x 1000mm

Die kremetart-boom

 

Die reus van die vlakte-bome,

 Is hy as die aandson vlam,

 Met sy wydgestrekte takke

 En sy snaakse, sagte stam.

 Die leeu kom vir skuilte

 Onder sy skadu staan,

 As die sagte sand met silwer

 Bevlek word deur die maan;

Die glinster-spreeus grinnik

 Bo waar sy blare hang,

En die sysie vry sy vrugte

 Met ‘n oer-oud voëlgesang.

 Hy staan al honderde jare,

 Amper so oud soos die veld,

 Trots op sy baie triomfe

 Oor die noodlot van geweld.

 Vóór die Voortrekkers hier was,

 Het hy al hier gestaan,

 En die wind van die piramides

 Het teen sy stam geslaan;

 Die wind, wat uit Egipte,

 Die palmblom geure bring,

 Het in die Soutpansberge

 Teen hom ‘n lied gesing,

 ‘n Lied van oer-oud dae

 Toe Farao nog was,

 En vir die tyd gekerwe

 n Teken in sy bas

C  Louis Leipoldt

 

Opening of exhibition at the Brooklyn Theater

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Citizen, August 25 2017

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Rekord, 24 Augustus 2017

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Beeld, 23 Augustus

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Melkhouttak

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Melkhouttak, 2017

Sideroxylon inerme

Milkwood, Melkhout

Oil on canvas, 700 x 1000mm

Melkhouttak                                                                                                                            

Neem ‘n bietjie tyd

om te kyk hoe die melkhouttak krom

tot teenaan die grond in die laatmiddag son

 

hoe die skadu die skewe sirkel

na die duskant voltooi

net sommer om te fokus

op die blaarpatroon wat die wind

teen die blou lug

soos kleurglas van ‘n kaleidoskoop gooi –

dán donkergroen,

dán weer blouer skerfies saamgeplooi.

 

Máák tog die tyd om te kyk

hoe die melkhouttak krom.

 

Trienke Laurie

 

Poetry about our indigenous trees

For my solo exhibition I looked for poems to go with my paintings of South – African trees.  Especially in Afrikaans poetry are a lot to be find.  Poems are used as metaphor for many aspects of life.  I like to pair them with my paintings, creating a dialogue between text and image.

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Witgatboom

 

Dié witgat met geknotte spiere

verman hom teen die bergwoestyn.

maar mettertyd – sy wal kalf in –

sal hy, oudstryder, ook verdwyn.

 

Fragment uit  Vier bome , Hennie Aucamp

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Uitnodiging vir my uitstalling in Augustus/September

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Invite to my art exhibition in August/September

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Jacaranda street with little dog

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700 x 1150mm

Oil on Canvas

2016

 

 

In die skadu van soveel bome

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As I wrote earlier I am busy preparing for a solo exhibition in August/ September.  I paint a variety of trees. I don’t want to show much of it now, but I am enjoying myself a lot.  One day I heard some wonderful poems from Hennie Nortje read on the radio.  I immediately fell in love with it, but couldn’t get the anthology “In die skadu van soveel bome” anywhere for sale anymore.  Hennie was so friendly to send me one.  I will share one poem, although it is in Afrikaans.  It is about the Wild Plum tree.  The pattern in which its leaves are grows looks like a cyclone and gets a symbol of hope  about the rain that will come.  It is such a beautiful image, especially when thinking back to the drought we had here last year and is still continuing in the Western Cape.  I hope I will find a way of using this poem in my work.

Wildepruim

(Harpephyllum caffra)

 

Jou blare in spirale,

‘n weerkaart vol siklone.

Jou bas ‘n grys kouefront

natblink en glad

asof die reën waarvoor ek bid

(sonder selfs ‘n wolk in sig)

reeds teen jou spat.

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Street in Graaff Reinet

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A3

Oil on Panel

2017

We visited Graaff Reinet , one of the lands oldest towns.  It is a beautiful town, full of old buildings.  It inspired me to make this painting.

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I love to see what happens with my painting after I sold it.  This client sent me a photo of my Namaqualand Daisies painting.  I think it looks very nice the way they hang it.

 

 

Fruitsellers

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720 x 360mm

Oil on Canvas

2017

This painting of some fruit sellers I made for a client in America.  They commissioned it as a wedding present for their son, who has good memories from his travels in Africa.  I took the canvas from the stretcher and rolled it up and put it in a tube.  I use a courier service to get it to the country of the client.  I did it in the past few years a several times, sending work to America, Holland and China and it worked quite well.

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River at Tsitsikamma

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800 x 400 mm

Oil on Canvas

2016

Forest near Ommen

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700 x 1000 mm

Oil on Canvas

2016

Namaqualand Daisies

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550 x 800 mm

Oil on Canvas

2016

Kaapse draai Kunstefees 2016

This week I shall take part in a small art festival here in Waverley where we live.  There will be art, music,a market and much more.   For more information go to http://www.kaapsedraaikunsfees.co.za/

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Bolayi Baobab Splendour

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Oil on Panel

420 x 297 mm

2016

Sammy Mark House

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Oil on Panel

A4

2016

 

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Botshabelo Church Falling Apart

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We were very shocked to see that the beautiful church at Botshabelo is falling apart. I really love this church and painted it a lot of times.  A few years ago a made a painting of this same spot as a wedding present to my brother and sister-in-law.

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In your Light we see Light/ Side entrance of the Church at Botshabelo

500mm x 1000 mm

2012

Botshabelo Old and New Church – Last Homage

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Oil on Panel

A4

2016

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I enjoyed another painting session at Botshabelo, an old missionstation near Middelburg

Jacaranda Suburb

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700 mm x 1000 mm

Oil on Canvas

2016

Jacaranda Pastime

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Oil on canvas

700mm x 1000 mm

2015

Last sun rays of the day

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Oil on panel

A4

2016

Milkwood

 

In the December holidays we were in Pringlebay.  As I don’t like swimming  I spent my time painting one of the Milkwood trees on the beach.
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Oil on panel

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2016

Jacaranda at Burgerspark

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oil on panel

A2

2015

Jacaranda street

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oil on panel

A2

2015

The Kgatle family

Phineas is a colleague of my husband.  I made this drawing of him and his wife Thabang and their cute little daughter.

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Pencil and pastel on paper

A2

2016

Family time

My brother from Holland came for a visit and we took some time to make family photographs.  Although both our parents are not especially interested in art, all their children are making art from time to time.  Both  my youngest brother, Alex (far left) and me studied art and are doing it as an career.

 

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Alex is an illustrator and art teacher and also like to paint every now and then.  To see more of his work, go to https://www.facebook.com/Alex-van-Houwelingen-Illustration-128461866160/

 

Family walk

I did a commission of this family walking in a Jacaranda lane.  They will keep this painting as a memory of Pretoria as they are moving to France.

 

elisabeth copy

Oil on canvas

1000 x 700 mm

2016

Watsonias after the field fire

Watsonias flower abundantly after a field fire.  These I saw a the Tafelberg Silvermine Nature Reserve.  I enjoyed the strong oranges against the black of the burned field.

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Oil on Canvas

1153 x 700 mm

2016

 

Inspiring Holiday

We just returned from a fantastic holiday to Musina and the Kruger Park.  As I am working on an exhibition on trees, I found a lot of inspiration.  We camped at Klein Bolayi, just outside Musina.  At this farm there are about 200 huge Baobab trees – more than I ever saw together. I enjoyed painting them on the spot and am planning to make a few more paintings of them in my studio.

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One of the biggest baobabs on the farm

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A very small baobab.  Apparently a freak of nature, as this tree is thought to be also more than 800 years old as are  the other trees on the farm.

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A rock fig at Mapungubwe.

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River forest at the Pafuri region in the Kruger Park.  The children were not always amused by their mother who wanted to stop for every beautiful tree while they were hoping to see a lion or a leopard after the next turn in the road.

Shepherd Tree

sheperd tree

700 x 1150 mm

oil on canvas

2015

Purple Light

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oil on canvas

2015

Aloe

In the winter holiday I went to the Pretoria Botanical Gardens to paint some aloes. I felt very much attracted to the beautiful, grey, orange, green and purple shades in the foliage of the aloe.

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while I was busy

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The result

Christmas at Genadendal

Genadendal is the oldest mission station in South Africa.  My husband did his Phd about a missionary who worked at Genadendal in the 1800’s.  Because of this, we spent many vacations at Genadendal.  While he was working in the archives, I made quite lot of paintings as you can see under the topic of “mission stations” on my blog.

One year we visited their church on Christmas eve. They have a tradition of giving candles to everyone during the service, creating a beautiful atmosphere.

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A4

Oil on panel

2015

Street in Pretoria

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700 x 1150 mm

oil on canvas

2015

Jacaranda Afternoon

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800 x 550 mm

oil on canvas

2015

Church at Botshabelo

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420 x 297 mm

Oil on Panel

2015

Autumn at Botshabelo

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420 x297 mm

Oil on Panel

2015

Painting at Botshabelo

In autumn we went for a day to the Mission station of Botshabelo near Middelburg.  The history of Botshabelo started as a place of refuge for Christians in South Africa and grew into an important and influential center where the Gospel was proclaimed among Black people, where Black and White received education and training and where commerce and industry were practiced. The well known artist Gerard Sekoto was also born on this mission station. At this time it is deteriorating rapidly, but I still love the atmosphere of the place. I already made a few other paintings there in the past as you can see under the topic of “Mission stations” on my blog.

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I bought an new field easel.  The easel fold up and fits neatly in a bag together with my paint, brushes and everything I need to paint.  Now I have to carry much less things when I want to do plein air painting.

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But as my daughter, Lydia, is now using my old stuff, we still carry a lot.

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Jacaranda’s and the Union Buildings

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550 x 800 mm

Oil on Canvas

Witgat Boom

At home I made another, larger painting of the Shepherd’s tree in my studio.

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700 x 1150 mm

Oil on Canvas

Jacaranda’s at HTS John Vorster

This painting was commissioned as a birthday present to someone whose father build the gable of this school.

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700 x 1150 mm

Oil on Canvas

Quiver Tree

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I painted  the Quiver tree red in my under-painting.  I hoped that some of it would come through in the final painting and emphasize the warm, rich colors of the bark. I mixed some real sand with my paint in the foreground.

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At home I finished the painting, adding some depth.